悼念 草祭

和峰志  晃到了草祭二手書店

是2017年4月底  店收後的第一次進入

我是愣住著的  關於轉角的怪異植物  關於台階往上的地磚

關於一尊尊泥塑的玩偶  關於  偌大空間的  狹隘

關於  一個曾經  可敬的  空間 　 隱身的藏書處..... 我  是真真正正地  楞住著的

老闆2017年5月22日寫著: 

「草祭 - 原空間轉移，將另有團隊進駐
我們就地祝福後起之生。」

止於落幕。
即使有書有店，卻不再是書店，不再有請勿喧嘩/禁止拍照/非禮莫入的不敬之敬。
即使諸多不再，知識與文字圖像生命的燦爛，字留頁間，事留心底，你與我，無所不在。

關於狂妄輕碎的耳語，或低聲嘆息，甚或無以回報的重情舊義...讓它隨風瀟灑吧。

勤勉收書的腰椎與膝蓋，仍持續著書店人生。

悼念　草祭　有過的  靜謐.....  和一切

人身 難得

恭喜老闆　新手爸爸　開心！

Hachi 開心!

帥小狗  洗香香後  從動物醫院出來  被戴了個福袋......
驚喜!  超cute!

難得的天晴  有著陽光的午後
和Hachi  在成大棒球場  玩耍的  開心!

Art in Intiative - 林鴻文

林鴻文老師的  在

是  我 影像繼續的   一直

1/30-3/29, 2018  廣州大新美術館  嶺南館

墜落 - Hsieh Wen Yi

每墜落一次，就會對墜落所帶來的痛有著莫名不可言語的感覺……

“The Experimental Self: Edvard Munch’s Photography” is on view through April 7, 2018.

http://www.scandinaviahouse.org/events/the-experimental-self/

Edvard Munch, Self-Portrait with Housekeeper in Warnemünde (1907). Courtesy of the Munch Museum.

The Gallery Says : “This exhibition of photographs, films, and a small selection of prints by Edvard Munch emphasizes the artist’s experimentalism, examining his exploration of the camera as an expressive medium. By probing and exploiting the dynamics of ‘faulty’ practice, such as distortion, blurred motion, eccentric camera angles, and other photographic ‘mistakes,’ Munch photographed himself and his immediate environment in ways that rendered them poetic. In both still images and in his few forays with a hand-held moving-picture camera, Munch not only archived images, but invented them.”

Scandinavia House is located at 58 Park Avenue, New York

U2 - Lucifers hands

https://www.youtube.com/watch?v=x8CAw53kja4&list=RDx8CAw53kja4